1/17/2024 0 Comments Arq pierrot![]() The Funambules originally hosted only acrobats and mimes. Only the Théâtre Déjazet would remain following Baron Haussmann’s rebuilding of Paris, during which most of the theatres were demolished to make space for an enlarged Place de la République. The Funambules had opened in 1816 on the Boulevard du Temple, known locally as the Boulevard du Crime owing to the number of crime dramas which were shown nightly in the boulevard’s numerous theatres. Born in 1796, Deburau began appearing in Paris at the Théâtre des Funambules some time around 1819, having adopted the stage name Baptiste. Jean-Gaspard Deburau, a mime from Kolín in Bohemia which is now part of the Czech Republic, lies at the heart of modern conceptions of Pierrot. It was the 1800s before Pierrot grew in stature and began to reach out across the arts, emerging as an emblem and muse for writers and painters. The essence of the character – his unrequited love for Columbine, who prefers Harlequin – was sometimes lost, and he was frequently portrayed for purely comic purposes, foolish and bumbling. Through the eighteenth century the character began to appear on stage in European centres beyond Italy and France, though often in minor and fairly disparate roles. Pierrot therefore took on a second life in Italy, and returned to France anew when the Italian troupes were permitted to return to the country over the following decade. Pierrot was well established in the Italian comic theatre by the time of their expulsion from France, by Royal decree, in 1697. With Molière and Biancolelli working in such close proximity, the interplay and cross-pollination between the troupes soon led the commedia dell’arte to incorporate Pierrot into their repertoire. They included Domenicio Biancolelli, already famous for his performances as the chequered comic Harlequin.įrom Italy the commedia dell’arte flourished across seventeenth-century France, and in fact the character of Sganarelle already drew much from the Italian comedians. By 1662, Molière’s acting troupe was sharing the venue with a troupe of Italian commedia dell’arte performers. ![]() ![]() ![]() The Palais-Royal theatre had been established by Cardinal Richelieu, in the east wing of the Palais-Royal in 1637. Pierrot is the name of a peasant character who appears in the second act of the play, as the fiancé of Charlotte. Pierrot, the sad clown in white face and loose blouse, expressing slowly and subtly in the liminal space beyond words, emerged in the nineteenth century from his roots in stock comedies and pantomimes to become the embodiment of a certain strain of artistic sentiment: sensitive, melancholy, and intrinsically alone, playful and daring through the subversion of language while suggesting the fraught and facile nature of gender.Īs a stock character, Pierrot can be traced back to Molière and Don Juan or The Feast of the Stone, which was first performed in February 1660 at the Palais-Royal theatre in Paris, with Molière himself playing the role of Sganarelle. ![]()
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